Bold Decisions that defined Film Animation

Background note: This whole post was inspired by a comment by probrown1896, “Wall-E’s first dialogue-less 40 minutes are the finest 40 minutes in film animation, ever.”


This got me thinking “Was it?… I know it’s up there in the finest moments of film animation, but finest “ever”?… I racked my thoughts to see if I could think of a better sequence. Like probrown stated,  I could “come up with dope scenes/sequences but I can’t think of 40 straight minutes.”

Then late last night it hit me what was wrong with my thinking. It was the “40 straight minutes” line  that got me tripped up. I was trying to come up with ONLY 40 minutes, and I believe that its not fair to judge films on snippets and sequences. For example, even though Wall-E‘s first half was SPECTACULAR, honestly the 2nd half was less than inspiring, the movie was still great mind you, but still I had to take into account the film as whole. Compared to say Nausicaa, which didn’t have the long awe-inspiring sequence, but was a little bit stronger and more consistent as whole. But all this is subjective (like all the reviews we do), so I tried to flip the script and make this objective. Here’s my attempt:

I went back and re-watched the sequence from Wall-E, still good as ever btw. Looking back though, it really  wasn’t “40 straight minutes.” There were more moments that stuck out more than the all-out 40 minutes. And apparently, even though, animation wise, it was still technically good, crisp, and posed well, Kung-Fu Panda was even more crisp, more fluid, and more well thought out in terms of animation (according to some animation students and teachers I asked) hence the reason why KFP won all the Annie Awards and Wall-E got nothing

So what made those first 40 minutes of Wall-E so memorable and one of the finest moments in film animation? Continue reading

American Akira

Akira, an “anime” movie made back in 1988 and directed by Katsuhiro Otomo. It is heralded as “one of the greatest animated movies of all-time,” and credited for ushering in this current era of “anime.” Without a doubt, the high quality of animation combined with adult themes and a complex (maybe too complex) storyline, has not only set this movie apart from other animated films, but also set a precedence for cartoons being considered “art.”

Akira deserves its own post (which will come in the future), however, this post deals with the  scenario of “what if Akira was made (or remade) in America?” Check the video for the (hilarious) results:

A live-action movie is in the works. Warner Bros. has picked up the license. Leonardo Dicaprio is set to produce (and maybe star), and Joseph Gordon Levitt set to play Tetsuo. Slated to come out in 2011…

My Take: ( *sigh*…shakes head in disappointment)…