Film

Winnie the Pooh

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Winnie the Pooh/ dir. Stephen Anderson & Don Hall/ 2011 


On the second to last day of the Seattle International Film Festival, I sit in a theater awaiting the North American premiere of Winnie the Pooh. To my left, my partner of about a year and all around me I am surrounded by an almost full theater of smiling parents, anxious kids, and general fans of animation (well at least the folks that can make it to an early morning showing on a Saturday). After the parade of speakers and thank yous, the lights go dim, and Winnie the Pooh comes on. Amidst the occasional laughs from the small children around me, my eyes are affixed on the screen, hanging on each beautifully animated frame while I reminisce of the days when I first met the round lovable bear known as Winnie the Pooh. Days after I’m still collecting my thoughts, reflecting on all the changes that have occurred in and around me in not only the 5 months since I last wrote, but also the 2 years since I took my first baby steps into the animation world. All this brought about by a mere children’s movie.  So after a very lengthy hiatus, I figured I should write something…

Winnie the Pooh is not your traditional “modern” animated feature. It’s doesn’t offer any flashy effects or well planned out action sequences. There is no magic, no plot twists and no added adult humor or pop culture references to entice the older audiences. No, Winnie the Pooh is an old fashioned Disney 2D/ hand drawn animated film through and through. It knows its core audience and it’s an effective film for 3 reasons: simple storytelling, a subtle yet powerful moral message, and a creative imagination. All these add up to something that gets lost in today’s films of CG, big action sequences, grand sets, and manufactured emotions… Innocence. Continue reading →

Evangelion 1.11 You Are (Not) Alone

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Evangelion 1.11: You Are (Not) Alone/ Hideaki Anno/ 2007/ Japan

I thought it would be fitting to review Evangelion 1.11 on 1/11/11. How many times do you get the chance to do that? a

Evangelion 1.11 is a special DVD/ Blu Ray edition of Evangelion 1.0, which in turn was a reboot of the classic anime series Neon Genesis Evangelion. Confused? Well that’s the point. Anime is sometimes known for its convoluted stories, intricate plot twists, and techno-babble dialogue, and the poster child of this generalization was the original 1996 Neon Genesis Evangelion Series. Evangelion 1.11 is the reboot… err… well, its more of a facelift, as it seems the scenes were ripped straight out of the original series. Is it any good? If you like the OG series, you’ll like this film. If you’re looking for a fantastic in-depth, artistic, and stylistic look into the fragile psyche of a teenager abandoned by his father then this is the film for you. If you also like big mech robots fighting huge monsters, then this film is for you. Be warned, you may get lost in its confusing plot and its many allusions to religion. But if you give it a chance, you’re in for a treat.

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Best Animated Features 2010

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Let’s put a bow on 2010 and wrap it with Art of the Cartoon’s Best Animated Features of 2010. I’ll be honest, 2010 was an an okay year in animated features, not great, just okay. I enjoyed 2009’s offering of animated goodness better than 2010, but still I have to commend all the animation studios for putting out some quality work in 2010 (by the way studios, I’m looking for a job as an animator *wink wink*). I only have a top 3 this year, so let’s go over some ground rules first:

  • I have to have seen the movie! (Yes I’m looking forward to seeing Sylvain Chomet’s The Illusionist, too bad it wasn’t released stateside in 2010, so I haven’t seen it. So it is OUT! )
  • If the animated movie was widely released in 2010, it counts!
  • I (obviously) have to have enjoyed the movie. Technical merit counts (animation, sound, etc…) but its the sum of all parts, so if I’m not entertained for the duration, then you’re not making the list.

Let’s do it! Hit the jump for the Best Animated Features 2010…

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2009 in Review

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It’s been awhile since I posted something on here. Animation has kept me pretty occupied, but some 4 months into 2010, I think it’s finally time I reveal my best animated features of 2009. 2009 was an outstanding year for animation. Seeing that there were 5 nominations for Best Animated Picture at the Oscars, and beyond that there were quality animated films this year that may have been considered in lesser years. Anyway before I get to the best, I wanna go over my ground rules for best of 2009:

  • I have to have seen the movie! (Secret of Kells, even though nominated for an academy award for best animated picture, is OUT! Just because I haven’t seen it! But I want to!)
  • If the animated movie was widely released in 2009, it counts! ($9.99 was made in 2008, but was widely released in 2009, so it’s in contention)
  • I (obviously) have to have enjoyed the movie. Technical merit counts (animation, sound, etc…) but its the sum of all parts, so if I’m not entertained for the duration, then you’re not making the list.

Without further delay, hit the jump to see the Best Animated Features of 2009… Continue reading →

9

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9/ dir. Shane Acker/ (short film) 2005/ (feature length film) 2009

There are some things in life that seem marvelous, brilliant, and perfect when in the abstract, or in theory, but when it comes to fleshing it out in real life, in the actual world, it falls flat and fails to live up to its perceived greatness and magnitude. Shane Acker’s 9, begrudgingly falls into this trap. The short film of the same name was an Academy Award nominated animated short in 2005. In only 11 minutes, Shane Acker’s 9 (2005) presented an eerie and frightening post apocalyptic world, complete with climatic action scenes, and tense moments all without dialogue. Its main character, a sentient burlap sack doll, and its main antagonist a mechanical cat beast, along with the dark colors, heavy use of shadows and a steam punk style all seemed very Tim- Burton-esque. So when it was announced that Tim Burton had decided to produce the feature length version of the short, while retaining Acker to help write and direct, it seemed like a natural progression, a perfect blend. But as written before, some things are better in the abstract than they are in the real, and while Shane Acker’s feature length film 9 wasn’t bad, it wasn’t nearly as effective as the short it originated from. Continue reading →

Lavatory Lovestory

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Lavatory Lovestory/ dir. Konstantin Bronzit/ 2007/ Russia

Well its fake love day today, aka Valentines Day. I thought it would only be appropriate that I would visit this 2009 Academy Award nominated animated short film, Lavatory Lovestory, cute film about a restroom attendant and her attempt to find love. The simple and elegant animation set to white background with simple lines exemplifies the emotions that said woman go through. We experience her anticipation, we feel her pain, and in the happy ending, we feel like we have been through a whole lifetime of love with this woman, all in a span of 10 minutes, and all expressed without dialogue.

Now obviously we romanticize these types of meetings, but rarely do we ever experience them exactly like how they turn out in film. But you know what, its fun to be a romantic at heart, and even if you have no significant other this time of year, its still fun to dream…

Every Child

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Every Child/ dir. Eugene Fedorenko/ 1979/ Canada

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In the world of animation in 2010, there are many elements that go into making an animated piece. Besides the actual animating, there are riggers, modelers, lighting artists, environment artists, textures artists, background artists, etc. and this doesn’t even include the music and camera work. All these can come together to create a compelling story and a convincing message. But sometimes the best animated works are the simple ones. Take for example Eugene Fedorenko’s Academy Award winning short of 1979, Every Child. A short and subtle 6 minute film about a society too engrossed about themselves to even take care of an abandoned child.  Every sound effect and voice done by the same two dudes, and the simple yet elegant animation compliments the tone and message of the film, which is to say that we’ll just pass this along until someone else deals with it… Continue reading →

Avatar

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Avatar/ dir. James Cameron/ 2009

“Wait! YOU haven’t seen Avatar! … I can’t believe of all people, YOU, haven’t seen Avatar!”

And that’s the sentiment I hear every effing time I mention to folks that I haven’t seen Avatar. EVERY EFFING TIME! C’mon people, I have school, animation shots to work on, work, other animated films, shorts and series to see, more comics and books to read, artwork to do, things to write, people to see, people I’m trying to get with =P, video games being neglected, etc… so please excuse the fact that I have not seen the film… Until Now. I finally gave in to peer pressure…

I have to admit, I was a little leery to see this movie because of all the conflicting comments/ analysis from folks I know. I know some animators who worked on the film and I have heard rave reviews. At the other end of the spectrum, I have other folks screaming of “the great white hope/ white guilt” movie disguised as “pretty to look at” sci-fi flick. So where does Avatar fall? Was it a “white savior” movie in an elegant package, or was it something more deep, a movie that deserves its Oscar nomination of Best Picture?

Well… Even though Avatar is a familiar story, it was made more grandiose because of spectacular designs, effects, environments and animations. These grand effects and animations offer a glimpse of what an animated film can strive to be and what messages animation can convey to the masses that aren’t bringing in kids to see cute cuddly characters. And make no mistake, Avatar IS an animated movie! Too bad, its message is a re-hash of stale ideas combined with Hollywood giving itself a pat on the back. Continue reading →