Winnie the Pooh/ dir. Stephen Anderson & Don Hall/ 2011
On the second to last day of the Seattle International Film Festival, I sit in a theater awaiting the North American premiere of Winnie the Pooh. To my left, my partner of about a year and all around me I am surrounded by an almost full theater of smiling parents, anxious kids, and general fans of animation (well at least the folks that can make it to an early morning showing on a Saturday). After the parade of speakers and thank yous, the lights go dim, and Winnie the Pooh comes on. Amidst the occasional laughs from the small children around me, my eyes are affixed on the screen, hanging on each beautifully animated frame while I reminisce of the days when I first met the round lovable bear known as Winnie the Pooh. Days after I’m still collecting my thoughts, reflecting on all the changes that have occurred in and around me in not only the 5 months since I last wrote, but also the 2 years since I took my first baby steps into the animation world. All this brought about by a mere children’s movie. So after a very lengthy hiatus, I figured I should write something…
Winnie the Pooh is not your traditional “modern” animated feature. It’s doesn’t offer any flashy effects or well planned out action sequences. There is no magic, no plot twists and no added adult humor or pop culture references to entice the older audiences. No, Winnie the Pooh is an old fashioned Disney 2D/ hand drawn animated film through and through. It knows its core audience and it’s an effective film for 3 reasons: simple storytelling, a subtle yet powerful moral message, and a creative imagination. All these add up to something that gets lost in today’s films of CG, big action sequences, grand sets, and manufactured emotions… Innocence. Continue reading